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苍蝇之母
When a young woman faces a deadly diagnosis, she seeks dark magic from a witch in the woods... but every cure has costs.
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法斯宾德
周星驰
巴里·莱文森
金容华
李小龙
编辑推荐
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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
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丧尸大战僵尸
一支网络电影摄制组正在深山老林里拍摄僵尸影片，道士后裔孙刺龙（彭禺厶 饰）以副导演身份带领三只真僵尸参与演出，期间却被痴迷僵尸的剧组女性工作人员任童（朱佳希 饰）缠上。与此同时，刺龙的哥哥阿宽（贺宽 饰）所在的帮派出了问题。阿宽的老大受人之托从俄罗斯偷运了一车长达十几年的冻肉，殊不知这车冻肉竟隐藏着极为可怕的秘密。货车司机惨遭丧尸杀害，幸存者则精神失常，随时都有尸变的危险。刺龙意识到危险迫近，他用法术请来祖先，而祖先则将一百年的法术传给了任童。 丧尸大军渐次逼近，中国古代的僵尸能否承担起阻挡丧尸大军入侵的重任呢？
281月
恶梦侦相
Follows a man whose pregnant wife gets murdered and despite the police investigation, the truth is unknown. He tries to find what happened, which confronts him with situations of suspense and terror.
022月
木匠之子
罗马帝国统治下的埃及，一个家庭为躲避追杀而隐秘生活。家中年轻的儿子（被称为“男孩”）开始对自己的监护人（被称为“木匠”）的身份和教诲产生深深的怀疑。 男孩体内沉睡着某种神秘而强大的超自然力量。随着他的成长与反叛，这股力量开始觉醒并失控。每当他动用一次能力，就会打破现实的脆弱平衡，招致更可怕的反噬——他们不仅要面对罗马士兵的世俗威胁，更要遭遇因亵渎神明而引发的、超越自然规律的恐怖现象：尼罗河水逆流、沙暴中浮现古老邪灵、瘟疫以超自然的方式蔓延…… 这个家庭被迫在双重恐惧的夹缝中求生：一边是外部世界的追捕，另一边是来自男孩自身力量的、逐渐失控的神性（或魔性）灾难。